José Saramago / About the Work

Theses and Monographs

The Stone Raft

«The Stone Raft»: l'epica utopica della nuova ibericitá

Iberism and Europe in "A Jangada de Pedra" by José Saramago

The Fantastic Mode and “The Stone Raft”

Raised from the Ground

When History Rules the Show

“Raised from the Ground”: A Romance of Faith

History and Power: A Reading of «Levantado do Chão»

THE EU AND THE TRIBE: A Reading of Subjectivity in the novel “Levantado do Chão” by José Saramago

A Past «Lifted from the Ground»: Another-Time for History

Manual of Painting and Calligraphy

Before a “Painting and Calligraphy Manual”: A Modernist Poetics by Almada Negreiros

The cave

Construction and Deconstruction of Identities in The Cave by José Saramago and Who's afraid of Virginia Woolf by Edward Albee

Center and Literary Margins: Allegory and Myth in "The Cave", by José Saramago

Cave-World Modern Parody in José Saramago

From the potter, in A cave, to the realities of Brazilian artistic ceramics

Allegory and myth in “The Cave” by José Saramago

Wandering through Saramago's Cave (s)